1836-1910 Winslow Homer Locations Winslow Homer (February 24, 1836 ?C September 29, 1910) was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.  Related Paintings of Winslow Homer :. | Chess Board | Die Morgenglocke | Mt Washington | Key West, Hauling Anchor | 1890 Musee d'Orsay, Paris |
Related Artists:
Eduardo Zamacois Y Zabala
Eduardo Zamacois y Zabala (ca. 1841 - 14 January 1871) was a Spanish academic painter who was born in Bilbao, Spain in 1841 or 1842. He moved to Madrid in 1859, where he enrolled in the Real Academia de Bellas Artes de San Fernando and studied with Federico de Madrazo. In 1860, he studied in Paris with Jean-Louis-Ernest Meissonier (1815-1891). He achieved success at the Paris Salon of 1867 with Buffon au 16e siecle. Zamacois y Zabala is associated with both classicism and anti-clerical art. He is known to have employed the Swiss painter Edouard Castres (1838-1902) as his assistant. He died in Madrid in 1871 at the age of 29.
Follower of Jacopo da Ponte
painted Christ in the house of Martha and Mary in 16th/17th century
Joseph Heintz the Elder
the Elder (Basle, 11 June 1564 - near Prague, Bohemia, October 1609) was a Swiss painter, draftsman and architect. He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village outside of Prague. Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.